The painted frame lies on a vertical wall in a shelter 23 m large, 4 m deep, 12 m high, at an height of 3,7 m. The left part is covered by a white calcite concretion. The paintings are composed by 3 grids with vertical columns surrounded by anthropomorphic figures, most of them aligned in rows hands in hands. The grid-motif with vertical columns, which recalls still today the shape of the ploughed fields in the underlying bottom of the valley, is peculiar of this painting. The upside-down poli-anthropomorphic figure is quite similar to the one of the Cavour paintings.

Many elements of this painting are very similar to the Provence paintings (Abri des Essartènes) and to the Iberian schematic art. Comparisons with the topographic grids of Valcamonica (Vite) and with the superimpositions of Les Oullas (Ubaye - F) make probable a late Neolithic - first Copper Age chronological frame (3400-2700 BC).