The three axes are quite different: the first is very large and the second much more tiny, thus of the same shape. They seem to represent a couple, like in CHM2 rock, and they overlap the underlying meandering figure. The third axe is tiny with a very thin handle, quite strictly recalling some little votive axes of the Gallo-Roman period (like in the Roman-Celtic sanctuary of Thoune - Allmendingen, Switzerland-). The pecking of the axes is also larger than the pecking of the meanders, which are more eroded. Two meandering figures take origin from the typical round little-cup-mark.

The axes are very similar to the late Iron Age axes (I cent. BC - I cent. AD, in this period the area was occupied by the Celtic people called "Segusii", after the 9 AC the Romans). The meandering subject is a problematic one to be dated. It's possible to find a double chronological attribution: Neolithic-first Copper Age (by comparison with the meanders and the spirals of the Irish passage graves and of the megalithic art) or Bronze Age - First Iron Age (by comparison with the engravings of the Haute Maurienne French valley where such patterns seem to be related to the Iron Age topographical compositions). The study of the superimpositions in the Valsusa area testify that the meandro-spiralic pattern is overlapped by late Iron Age figures, like the axes of this rocks which clearly cut the meanders.